Comet Hyakutake by E. Kolmhofer, H. Raab; Johannes-Kepler-Observatory,
Linz, Austria (http://www.sternwarte.at) – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6756468
  • Bloody Mary

    Dad would often have a Bloody Mary
    after he finished mowing the lawn,
    the spicy tomato juice concoction
    in a tumbler that said “Name Your Poison”
    with a glass swizzle stick he used to stir it.
    
    He strode up the back yard to our house
    in a sweaty, gasoline-stained t-shirt,
    walked into the kitchen, took the gin
    from a cabinet and poured himself a round, 
    perspiration beading his ice-filled glass.
    
    Once he let me take a sip as well, 
    though I was just a kid. His clammy arm draped
    around my shoulder, he steadied the drink
    in my small hands with one of his own,
    then laughed at how my face screwed up in disgust.
    
    The color looked like fruit punch to me
    and I thought I was in for a treat
    that he allowed me to sample it,
    but what a disappointment to find out
    the flavor was not at all appealing.
    
    Decades later, my tastes have changed. 
    These days when I have a Bloody Mary,
    I swear the essence of cut grass 
    is in the mix with other garnishes:
    dill pickle, olive, horseradish, celery.
    
    What flows over the palette, past the tongue
    connects with memory in a way
    that is more potent than other senses,
    awakening the mind to recall
    a scene long gone by, almost forgotten.
    
    
    
  • Coyotes in Waltham

    The granite pillars at Newton Street bridge 
    emerge from dark into the headlights’ view.
    Carved with great blue herons in profile,
    they mark the entrance to a footpath
    along the banks of the Charles River.
    
    I slow my car to pause at a crosswalk,
    surprised to notice a large creature
    standing in the road – a male coyote
    as tall as the fender at shoulder height,
    unfazed and unthreatened by my presence. 
    
    Handsome, with silver threads in his fur,
    he looks behind him where a smaller female
    steps out from the trees. She does not stride, 
    but her gait is unapologetic –
    she scoots across the street to join him.
    
    They sniff each other, a gesture without 
    the vulgar antics domestic canines
    often display when greeting. A few whiffs 
    at the muzzle and neck scruff confirm 
    relation before they slip back into shadow.
    
    Out for a stroll the next day, I see signs
    stapled to telephone poles around town:
    “Warning: there are coyotes in Waltham!
    They have been known to prey on cats and dogs. 
    Keep pets indoors, especially after dark.”
    
    Later that week, the radio newscast 
    says several dead coyotes were found 
    at a local dump, their killer unknown.
    I think of the pair I saw the other night 
    and hope they still roam these urban woods. 
    
    
    
  • Piano Wire

    Each taut length of piano wire
    inside my teacher’s baby grand
    had tension on it, she told me, 
    with a combined force equal to 
    the weight of ten elephants
    standing on top of each other, 
    and if one of them were to snap
    it could easily cut off my head –
    a shocking glimpse when I was young
    at how the pursuit of beauty 
    can potentially be lethal. 
    
    
    
  • Stored Milk

    Stored Milk for Our Son 
    
    Breast milk keeps in the freezer for six months. 
    That is about half his lifetime ago. 
    
    October now, what he had at bedtime 
    my wife pumped and stored in the middle of spring. 
    
    They say an infant’s saliva contains
    instructions for the mother’s body,
    
    a recipe to make the nutrients
    and antibodies he requires to thrive. 
    
    I assume his needs earlier this year
    were not the same as they are now, and yet 
    
    he drank eagerly from the bottle 
    before falling into a peaceful sleep. 
    
    Perhaps what sustains him is not so different –
    food satisfies hunger at any age – 
    
    or his younger self had the forethought
    to commission a lasting formula: 
    
    a vintage that stands up to time, one whose taste
    can still appease the chemistry inside 
    this rapidly growing little person. 
    
    
    
  • Poetry Competition

    Poetry Competition, Iran 
    (circa 1600, on display at The Louvre)
    
    Painted on square pieces of lacquered brick,
    two poets kneel opposite each other
    shaded by the canopy of a tree
    with broad leaves and delicate, pink flowers.
    
    At the right, in a saffron-colored robe,
    head lowered over a sheet of paper,
    one of them lifts his pen from an ink pot,
    preparing to write a brand-new stanza.
    
    The other, in a cerulean gown,
    a yellow scarf wrapped around his back,
    stretches out both hands in front of him
    as he recites a freshly composed verse.
    
    Behind them on the emerald lawn,
    wearing a dark vestment adorned with flames,
    stands the judge who listens to each contestant
    before she decides which is the winner -
    
    and what a difficult choice it must be,
    for you can feel almost equal refreshment
    from their lyric voices, like a cool breeze
    that moves through a garden on a hot day.
    
    
    
  • Weeping Rock, Zion

    More than a thousand years ago,
    a storm passed above the mesa
    and rain soaked into the high ground.
    During an era, gravity,
    with its constant draw, urged water
    to take a gradual course down
    through layers of porous limestone,
    
    where now this ancient hydration seeps 
    out a cliffside overhang
    abundant with lush moss and ferns
    in an otherwise arid land. 
    It falls as a steady shower
    onto the foreheads of tourists
    who look up from the canyon floor
    
    at this marvel of the ages –
    rock many millennia old
    weeping to make an oasis –
    each droplet that sprinkles their brow
    a respite from heat, 
    the sunbaked climate no easy habitat;
    amazed how columbine grows here,
    
    the way it thrives beside the trail 
    in clumps topped by delicate blooms
    cantilevered on slender stems, 
    the flowers like little red bells
    ready for the breeze to ring them,
    as if survival in a harsh environment 
    makes it joyful. 
    
    
    
  • Hand Mixer Cookies

    My ex-wife took our KitchenAid
    mixer when she moved out, a gift
    for our wedding from long-time friends.
    Of all the things that were a shock
    to see gone from our apartment
    when I came home from work one night –
    a bookshelf, artwork, her dresser –
    
    nine years later, about two times
    the duration of our marriage,
    this absence of a stand mixer 
    is my most acute reminder 
    of our breakup. Baking cookies 
    is hard using the electric
    hand-held she did not take with her. 
    
    It requires patient technique.
    A steady grip coaxes butter 
    to blend with sugar. The pair absorb
    each of the other’s qualities.
    Over time, the batter begins
    to be more than its parts: a sweet
    and creamy golden prototype,
    
    the start of something delicious.
    I may never see her again
    since she walked out of our shared life. 
    The hand mixer she left behind
    is not a consolation, 
    but a souvenir of what we were 
    unable to make of ourselves. 
    
    
    
  • Saint George

    Saint George and the Dragon 
    (Label for Sangiovese 2019, Di Majo Norante)
    
    The little parapet in the background
    provided a vantage for George to watch
    how the dragon approached the walled city,
    swooping low to the ground with legs tucked in,
    thus able to evade the king’s archers. 
    
    A squire out of sight prepared his white steed,
    its ivory mane adorned with tassels, 
    and through the open portcullis he rode,
    his halo brightening with each hoofbeat:
    a copper disc embossed on deep blue sky. 
    
    The princess elected for sacrifice,
    whose life he seeks to protect, waits behind 
    in an orange garment, barely visible,
    as if a flame licking the palace gate –
    the peasants’ unrest which threatens to flare. 
    
    Now large in center scene, he hoists his lance
    to spear the serpent in its sharp-toothed maw. 
    The horse straddles the beast to prevent flight.
    Prostrate, it succumbs to being vanquished, 
    though how its outspread wings do gleam in sun.
    
    How its back arches beneath the stallion.
    How its claws rake red clay from the stained earth.
    How the ripe, black olive of its pupil
    lolls backward in its mandorla-shaped eye 
    as it expires from the saint’s forceful strike.
    
    Already sheep return to the meadow. 
    Already the orchard yields luscious figs. 
    Already courtiers resume gossip  
    and villagers take up once more their work
    and swollen grapes pour down from ample vines. 
    
    
    
  • Vermont Quarter

    Vermont Quarter, 2001: Tapping for Syrup
    
    He stands between a pair of leafless maples, 
    two buckets hang off each of their trunks.   
    A scarf that shields his neck is wind-whipped,
    the chill of early March still winter-fierce.
    
    In the distance, beyond snow-covered fields,
    the icy ridge of Camel’s Hump is limned
    with silver by dawn’s first light. This is when 
    sap begins to drip, gradually at first. 
    
    The moment is tranquil and commonplace. 
    A man leaves his house at daybreak for chores.
    The chickens in their roost need to be fed.
    Cows lined up inside the barn must be milked. 
    
    Of course, there is no way for him to know
    what is happening twenty years later:
    a disease across the land, oppression
    at the hands of those who swore to protect,
    
    discord over what to do about it 
    fracturing bonds between friends and neighbors –
    even in his corner of the country,
    a calm locale often immune to strife. 
    
    Wearing knee-high boots, he checks all four taps, 
    but now is not the time to expect much. 
    Come April, when the fields have thawed to mud,
    enough for syrup will gush from these trees. 
    
    Then, boiling the sweet liquid over fire
    until only a small portion remains,
    he will make the prized ingredient 
    implied by the scene on the back of this coin:
    
    “Freedom and Unity”, the state motto 
    emblazoned in the foreground to his right.
    
    
    
  • Starting Out

    In the parking lot of a grocery store
    on a chilly evening in November,
    the cough and wheeze of her car's ignition
    reminds me how we, too, are starting out.
    The synergy between fire and motion,
    centuries old by now, proven to work -
    yet there still remains a suspenseful gasp
    at the outset of this reaction:
    will her key spark the engine to turn over,
    moving us ahead? Or will heat fail us,
    the motor inert, our fate in the cold?
    For tonight, at least, the car will run.
    We drive to her cottage and get into bed
              holding each other until we are warm.